Funfair Rides Archives

Fun Story, funfair events, Funfair Rides

Our Family Transport Artwork

17 June 2021

Over time we have managed to acquire 5 highly detailed prints of some of our family transport on the fairground, they show some of the classic British trucks that were once so prevalent, not only on the fairground scene, but worldwide.

Roland Tucker’s Scammell Pioneer

Owned by Roland Tucker, a well known Yorkshire showman, this was a fabulous example of its type. Scammell was a late Victorian era wheelwright and coach building business that provided maintenance services to owners of Foden steam wagons. Eventually they were asked by a customer to build a high power haulage unit. World War I put a stop to the project, but equally proved the concept of mechanical haulage over horse drawn carts. By 1920 Scammell had presented a concept for a new model at the Commercial Motor show, taking 50 orders during the event and launching one the worlds most famous heavy haulage marques.

Pioneer

Designed as a 6 x 4 off road vehicle for use in Britain’s colonies where the roads were less than pristine. A bit like the A road network in the UK today. THe combination of incredible suspension travel, with excellent traction and a low revving high torque engine gave it impressive performance. Eventually being chosen as the basis for a heavy artillery tractor during WWII. The type was also developed into a heavy recovery vehicle and a tank transporter. The units were equipped with a Gardner 6 cylinder engine developing a mighty 102 BHP, driving the four rear wheels through a constant mesh gearbox with a top speed of 24mph and powering a Scammell winch.

Our family model was named Invader and used to tow

Dunny Tucker’s S36 Foden

Foden, one of the most popular makes on the fairground scene along with E.R.F, which stood for Edwin Richard Foden, a member of the Foden family who resigned and started a new firm specifically to build diesel powered trucks, rather than the steam wagons that Foden insisted on continuing with.

The company was originally founded towards the end of the 19th Century, and came to prominence when it won MOD trials to supply a series of 3-ton wagons for the military. The family split over diesel power led to the creation of ERF, but Foden was quick to switch its own production to diesel power. Sadly the last Foden rolled of the production lines in 2006 when the American owners Paccar mothballed the brand.

Dunny’s S36 tractor unit, was in the classic funfair style of carrying a couple of generators to power the rides, and towing a couple of trailers, in this case a waltzer ride.

Robert Moody’s E.R.F. ‘Sabrina’

The family split that led to E.R.F.’s creation, saw a range of well regarded vehicles produced. They were built in much the same style as Foden’s offerings, with glass fibre cabs, Gardner engines (though over the years Cummins, Caterpillar, Rolls Royce and Detroit diesel engines were also offered) and Eaton/Fuller gearboxes.

The model above was the KV or Kleer Vue cab. Most of them were typical flat fronted cabs, what the Americans call cabovers. But a number of bonneted versions were produced and proved popular with brewery operators. The rather large appendage on the front led to them being christened ‘Sabrina’ in homage to a busty television personality of the era (her real name was Norma Ann Sykes) a glamour model famous for her tiny 18 inch waist and erm, rather large 41 inch upper works.

This vehicle was used to carry a children’s ride in the North East, and eventually ended up at the end of its life with the engine being removed to build a generator with.

A.R. Moody’s Foden 4000 Series

Another entry from the Foden stable, this one was unusual in that it started life as a 4000 Series model, which is actually more modern than the picture shows. The reason was the company that owned it had all day cabbed vehicles (the type that didn’t have a bed built in), and their changing work pattern meant that they needed a sleeper cab. Rather than purchase a new vehicle, they swapped the cab for an older type cab they had in a corner of the yard. The lorry had a 14 litre Cummins engine, a type revered for its high power and torque, though less well liked for its high fuel consumption.

This carried a pair of silenced generating units, along with supplies for a catering unit, and was used to tow the owners 40ft living caravan, along with occasional trips with a children’s ride attached.

A.R. Moody’s Atkinson MkII

The last entry is from Atkinson Lorries, another old British brand. The original firm, like many others manfactured steam wagons. However it didn’t make the transition to diesel and eventually was fading away, before being bought and re established to manufacture diesels. Again using the well trodden path of those days, ie, a Gardner engine, David Brown gearbox and Kirkstall drive axle. Eventually graduating to Rolls Royce, Perkins and Cummins engines as Gardner’s began to lag behind in power outputs.

This one carried two children’s rides from the famous British ride manufacturer of Coulson’s of Ripon. It had a Gardner 5LW engine producing 94 BHP and a two speed eaton back axle that doubled the number of gear ratios. I remember it well as I spent hours painting and polishing it as a kid. Then as others got more up to date transport, hours begging my dad to swap it in. This he refused to do, until one day travelling through the Tyne Tunnel, we passed a broken down vehicle, a short time later the recovery vehicle saw us travelling that slowly they tried to recover us, due to the low engine power and the large caravan on the back meaning we were at about cycle speed on inclines.

He swapped it in shortly after for a Seddon Atkinson 400 series, which at the time was a quantum leap forward in British lorry engineering, and had the ‘high’ powered Gardner 6LXB engine with the startling output of 180 BHP.

0 comment

Event Planning, Fun Story, funfair events, Funfair Rides

The Carousel Works, A Manufacturer Profile

13 June 2021

The carousel was long a mainstay of funfairs and amusements parks throughout the world. As one of the first, big amusement rides, it transcended the generations and is still operating regularly today.

It was estimated that in the USA, at one point there were around 5000 carousels. Sadly when the great depression hit the number dwindled and gradually as the 70’s rolled around they kind of fell out of favour with maintenance costs making them unviable in the financial climate of the times. Numbers fell to to around 150.

Many of the carousels from the great historic manufacturers such as Dentzel and Charles Looff suddenly became more valuable for their parts than as actual rides. At auction horses from these master carvers were bringing in an average of $40,000. One example, a St Bernard went for a record $250,000.

As with many traditional skills and crafts, the art of manufacturing these works of art was in serious danger of disappearing. Fibreglass and metal carousels were still being produced for the market, and whilst still beautiful and ornate rides, weren’t the individual unique masterpieces of yesteryear.

Fortunately two friends decided that it was still possible to make a successful business with individual hand crafted rides.

Art Richie

Richie started carving in 1973. Leaving college on a Friday and opening his first business making plaques and other wooden goods the next day. One day a customer asked for a quote on carving a carousel horse, Ritchie told him around $1800 and laughed the guy couldn’t get his cheque book out quickly enough.

Dan Jones

The other founder of the company was a construction worker who had carried out repair and maintenance work on a number of historic carousels. Together their skills made a perfect complement for the initial business of restoration.

Carousel Works

In 1986 the duo formed Carousel Works. The aim was to work on existing vintage carousels, to repair and renovate them. Keeping part of the amusement industries rich history working. Their ultimate aim however was to design and build new carousels.

This dream was achieved in 1991 when their first carousel was delivered to Richland Carrousel Park in Mansfield Ohio. Becoming the first new wooden carousel to be delivered since the 1930’s. With 30 horses and 22 menagerie animals the ride was carved in the style of G.A. Dentzel,one of the all time greats in carousel history.

The lovely thing about wooden carousels carved in the traditional manner, is the variety and uniqueness of each animal. They are all individual one off carvings. Modern carousels with fibreglass horses will have used perhaps three or four different designs meaning large numbers of the horses are identical.

60 Carousels And Counting

Since then the company have delivered in excess of 60 rides around the world. They currently have 28 employees including painters and carvers. The animals are made the old fashioned way by gluing blocks of basswood together before being cut into a rough shape by machine, then hand carved into intricate works of art. Despite what people believe, the figures aren’t made from single blocks of wood, this wouldn’t be flexible enough and would crack. Instead they are anything upto 70 individual blocks glued together.

Looking at their list of clients they seemed to have cornered the market in carousels for Zoo’s!

Their designs all start the same way, with a blank sheet of paper. They are truly one of a kind, using traditional skills and craftmanship to keep alive a great tradition. Their offerings include over 160 different animals for the ride. They are happy to work with a client to create something totally new. Whether its an unusual animal for a zoo, or something specific to a corporate clients design. A couple that stand out were the chariot carved in the shape of a pile of dung being pushed by a dung beetle, and a dog food company had one cared as a bag of dog food with a puppy sticking its head out.

This customisation extends not only to the animals on the ride, but also to the decorative panels that adorn it, each ride is a work of art.

Not Everyone Is Happy

Evidently however there are some who are not happy. Their willingness to innovate and new style has drawn criticism from some of the carousel ‘purists’. Who feel that they cannot compare to the great designs from Looff, Dentzel et al. A similar reaction was encountered when car firm Bentley announced it was going to manufacture some new examples of its historic Bentley Blower model. Perhaps they feel it will devalue their investment in historic carousel horses if new ones are still being made.

The favourite quote on the subject we heard came from Bette Largent, president of the National Carousel Association. She exclaimed “We didn’t stop painting after Rembrandt died!”

With the nostalgia that’s now back in fashion, and the fact that historic carousels are fetching upwards of $1 million, the company is perfectly placed to thrive with a stunning hand crafted product at a great price.

UPDATE

Sadly since this was published, the company has sadly filed for bankruptcy. Details here…

Sources;

Mansfield News Journal

2 Comments

Catering, Event Planning, Fun Story, funfair events, Funfair Rides

Newcastle Hoppings, A Major Fair

1 June 2021

Newcastle Hoppings is the largest travelling funfair in Europe (though both Nottingham Goose fair and Hull Fair also claim the title). A major fixture in the funfair calendar. Held in the North East city of Newcastle Upon Tyne over 9 days in June.

With over 300,000 visitors a year, and featuring over 60 major adult rides, and a plethora of children’s rides, games and catering to match. The event is held in June to coincide with the Northumberland Plate. Part of the flat season races for horses of three years or older.

It is situated on the Town Moor, a large grazing land just outside the city centre (during the first world war it was held in Jesmond). The showmen commonly refer to the event as the Town moor, or even just ‘The Moor’, rather than the hoppings name used by the locals.

Temperance Festival Association

The driving force behind the establishment of the hoppings, was Alderman William Davies Stephens, chairman of the Temperance Festival Association. The association, typical of the Victorian era do gooders, felt that the horse race would attract drinking and gambling. They wanted to provide a temperance festival for the miners and other workers as an alternative, to save them from the fires of damnation.

I suppose in a way it was a better idea than the Americans had. Our abstinence gave us a major funfair, the American prohibition gave them Al Capone.

Early Years

In the beginning, the event will have been typical of fairs of that era, stalls, games and sideshows would have formed the bulk of the event. Indeed in the North East, funfairs are often referred to as ‘The shows’ in allusion to the preponderance of that type of attraction.

These tended to be animal managaries, or the popular at the time human freak shows. Large steam powered rides were appearing on funfairs by then, and quite possibly would have attended the hoppings, but at that time they were still a supporting act.

Over the next 50 years the event began to resemble what we would recognise today. With some of the early thrill rides appearing, Octopus, dive bomber, waltzers, all designed to fly you higher, spin you faster and scare witless.

A well known ride, the Moonrocket of Shaws, built in 1939. This was typical of the early rides that would have appeared at the Town Moor.

The Modern Era

Nowadays, well not 2020, and possibly not 2021 due to the little matter of a global pandemic, most of the top rides from around the UK appear at the event. Immaculate examples of the old favourites such as dodgems and Waltzers still jostle with the thrill rides for customers. There are fabulous examples of all the current funfair games, children’s rides and food stalls.

A look at the fair from the air shows the sheer scale of the event. Hull and Nottingham might possibly have more rides in attendance, or be classed as bigger due to some other statistic. But for sheer acreage, there isn’t anything else in the UK that comes near.

2013 was notable for the fair being cancelled due to the severe weather leaving the ground in a poor state. Work has since been carried out to improve drainage and add a metalled road to prevent a recurrence.

Charity

The event was always noted for the free riding the showmen provided for a number of charities, the Variety club would bus as estimated 3000 children in to enjoy the showmen’s efforts, usually on the first evening of the event.

Indeed records indicate that the very first year of the festival saw a tea provided for 1000 of the cities poorest children.

The Name Hoppings

When we used to attend the event, I often wondered about just why it was called the Hoppings. I presumed it was one of those stories lost in time. However recently I came across the official website for the event, maintained by the Freeman of the City/Newcastle Council. They offered two possible explanations for the name. One is that hopping was a very old name for a dance.

The other explanation the offer, is that the showmen used to wear sacks as cloths. These would become infested with fleas and the showmen being bitten would ‘hop’ about. Hmm, the photo below is a typical old image of showmen. Actually one of our earliest corporate entertainment crew who provided a show for Queen Victoria. Take a look, although it is in a poor state, it sure looks to me like they were wearing regular type cloths. Nary a cloth sack in sight.

Sources;

Wiki Hoppings

Hoppings Funfairs

0 comment

Event Planning, Fun Story, funfair events, Funfair Rides

“Work From Home…If You Can”

23 May 2021

‘Work from home if you can’, has been the echoing call, since the first lock down in march. The call from Boris Johnson and his team.

Due to the current pandemic many businesses have been closed and working from home has been of paramount importance. With many people turning rooms in their homes, or escaping to the garage to put together a make shift office.

One you probably wouldn’t think of is a work from theme park set up. In Japan they have announced a new initiative in order to encourage working from home. The initiative being to utilize their theme parks. A large theme park in Tokyo is offering ‘workcation’ packages. Giving employees across Japan the opportunity to work next to a beautiful pool or even on a Ferris wheel! yes that’s right you can work from a Ferris wheel.

The park charges 1,900 yen which is roughly around £14 for a weeks ticket pass. The pass includes a booth located at the pool and an hour in a private carriage on the Ferris Wheel. WIFI services are located throughout ready for you to connect your laptop or tablet to.

Japans, Work From Home Management

Japan, although a large country has managed the pandemic very well and is currently near normality with the rest of the theme park also open, which means that after a hard days work you can pay a little bit extra and purchase a park ticket allowing you to chill and unwind on all the fairground rides available…although remember you cant scream on the scary rides because that is against the covid rules.

Japan has primarily moved their businesses to being based at home. The government requested companies to have around 70% of their employees working from home. With this in mind they have been coming up with new inventive ways to encourage staff to take this option, Firstly they introduced the Theme park scheme, and then secondly they placed workstatiosn around National parks that people could rent and visit in a hope that people would reconnect with nature.

An IT solutions firm FLEQ was among one of the first companies to encourage employees to work from the theme park. In the first week around 10 employees used the amusement park as their new office. Feedback from the employees was all very positive! however some said it was hard to concentrate at first as once on the Ferris wheel they just wanted to admire the view!.

0 comment

Fun Story, funfair events, Funfair Rides

Eyerly Aircraft Company, A Manufacturer Profile

15 May 2021

There aren’t a great deal of amusem e nt ride manufacturers that started life building aeroplanes. The American Eyerly Aircraft CO. was initially set up to manufacturer training aids for pilots. The first was the curiously entitled ‘Whiffle Hen’, an airplane which only used two gallons of fuel per hour of flight.

The craft derived it’s name from a bird thought to be good luck that appeared in the Popeye cartoons, everyone thinks Popeye gained his strength from eating spinach, but in the early days he used to rub the whiffle hen instead.

Lee Eyerly’s dream was to make flight available to all classes, not just the rich. He was responsible for building Salem Airport, and ran a flight training school, as well as taking people up in his own plane at fairs and events.

His second great invention was the Orientator, basically and airplane fuselage suspended between what looked like a giant tuning fork. The wind from the propellor streamed across the aircraft wings and surface controls and allowed the pilot to bank climb and roll, just like in a real aircraft but without the cost and danger associated.

A few were sold (including four to the Cuban air force), but sales began to slow down. It was suggested by someone who remains unrecorded by history, that he take the device to a local funfair, or Midway as our American cousins refer to them. Allegedly he also sold rides in a real aeroplane that he flew, but soon noticed that the queue for the Orientator was far longer than for the real plane.

That lighbulb moment saw the focus of his company switch to amusement ride manufacturing. The trainer was re christened the Acroplane and was sold purely as an amusement device.

Line Of Amusement Rides

This was just the beginning. The ride was quickly followed by the Loop-O-Plane, Roll-O-Plane, Spider, Fly-O-Plane, all designed to give people a taste of what it was like to fly, just at that period in history when Aviation was beginning to take off, excuse the pun.

The Rock O Plane was invented in 1947, and the ride type still survives on many funfairs today. Some in the original style, others have been modified to create a slightly more thrilling and up to date ride.

The Octopus

Perhaps his most popular ride was the Octopus. Little seen nowadays on the modern fairground, there are still a few doing the vintage circuit at shows and rally’s, but it is considered a bit tame for the modern generation of thrill seekers.

The company continued in the business up until the mid 1980’s. Sadly in 1988 at a Florida fair, an arm on an Octopus ride snapped. The arm was suffering from metal fatigue. The crack was paint covered and unnoticed by both the ride owner and the State inspector. A 17 year old girl died from head injuries. In the wake of the lawsuit that followed, the company closed its doors in 1990.

The genesis of the Eyerly Aircraft Company was certainly unique as ride manufacturers go.

Sources;

Consumer Product Safety Commision

Eyerly Aircraft Company

Lagoon History

0 comment

Event Planning, Fun Story, funfair events, Funfair Rides

The Dive Bomber, History Of an Iconic Ride

10 May 2021

Most of the early funfair rides were things like carousels, Noah’s arks and dodgems. Exciting rides, but all with a similar movement, you go around in circles. What we would call thrill rides came later, and nowadays most of the high thrill attractions have you leave the ground. One of the earliest examples of this was the Dive Bomber.

Initially created by the Eyerly Airc r aft company which was formed to create equipment to help train pilots. They moved into the amusement ride arena, and gradually moved away from their original business model. Much of what they designed had an aviation feel, and the dive bomber was no exception.

Roll O Plane

Patented in 1938 by Eyerly, as the ‘Roll-O-Plane’, the ride had two cylindrical shaped cars on the end of a rotating boom. As the arm rotated the ends of the cylinders rotated to keep the riders sitting upright. The chain drive made it a particularly noisy ride, added to the usual decor of a fighter plane and it was an imposing, thrilling ride for the era.

Lusse Dive Bomber

Lusse Brothers of Blackpool (American designers) developed the ride for the UK market under licence from Eyerly. Building their first version in 1939 and the last of 25 examples in 1949. With the recent end of WWII the ride was perfectly themed for the fairgoers of that era.

One of the drawbacks was its low passenger capacity, but a number of enterprising UK showmen, joined two rides together to double this as in the Carters model above.

The rides were a high maintenance device and eventually fell out of favour, I can just remember them as a kid in the 80’s and only for a few years. Truth be told I seem to remember them having a propensity to fold up, what Elon Musk would call a RUD (rapid unscheduled disassembly). The testing regime in those days wasn’t as developed as today, with x-ray and dye penetration testing, so I think the metal was a little overstressed for the job it was doing.

The Modern Bomber

Like many things in life, the wheel turned and a new version appeared. Built by Italian manufacturer Fabbri as the Booster Maxx, this is a much bigger, much faster and carries a lot more riders (up to 16). It is also a lot more sturdily constructed with modern techniques and materials. It is easily one of the highest and fastest rides on the circuit. Bringing the same aerial thrills to new generations.

Sources;

National Fairground Archive

1 Comment

Fun Story, Funfair Rides

Reverchon Industries, A Manufacturer Profile

16 April 2021

The star of our article today is a Gallic manufacturer. Gaston Reverchon, a young Parisian created a workshop in the suburbs of Paris to build coaches in 1929, having previously worked at Renault and also repairing luxury cars such as Rolls Royce and Bentley. At some point he ventured into the world of amusement ride manufacture by building dodgem cars. At that time a typical dodgem car was a wooden board on wheels, with a seat and a steering wheel. This led to the creation of Reverchon Industries.

Reverchon, inspired by the looks of American automobiles, designed a car with bright metallic colours on a metal frame, this was an instant success.

By the late 1930’s, Gaston realised that there was a developing market in not only building parts for rides, but in building the complete ride. 1937 saw the launch of the Telecombat, featuring small military airplanes similar to the Fabbri ride of the same name.

Gaston was joined by his sons after the war, and they diversified into producing a range of different rides. Continuing the development of their dodgem cars, pioneering the use of composites in the build of the cars to replace the heavy tin bodies that were prone to damage. They introduced the first token system for dodgems in the 1960’s, and were the first to install headrests in the early 70’s.

The Golden Years Of Reverchon Industries

By the 70’s the company was at its zenith. They were building around 50 rides every year, and upwards of 2000 dodgem cars. They had built the company up to employ 270 staff.

The late 70’s saw some exciting new developments at the company. They created their first fold up dodgem ride. Instead of their existing 2 day set up for 6 people, the new type rides could be set up by an individual if necessary.

Log Flume

They also built their first log flume ride. A ride consisting of flumes, where the riders sit in hollowed out log shaped boats and travel through the ride with the flow of water. Usually there are a number of drops on the ride which create spectacular splashes, the riders at the front tending to get rather wet. This was installed at the Bagatelle Park in Berck France.

Roller Coasters

The company created its first roller coaster in 1990. Built at the French theme park of Le Pal. Named the Siberian Tiger, it was a steel roller coaster, with a tiger’s head on the front of the train.

Reverchon installed the first version of its Spinning Mouse coaster in 1997. This became one of the companies most popular designs, and was installed at Dinosaur Beach in Wildwood New Jersey. The vast majority of coasters built by the company after this were of the spinning type.

In 2003 the design was licensed to Zamperla, a major Italian ride manufacturer to build and market Reverchon designs worldwide. this agreement lasted a little over 2 years before being dissolved, with Zamperla retaining the rights to design and market it’s own spinning coaster.

Sadly the original company encountered difficulties in the early part of the 21st Century. They were declared insolvent in 2002, but managed to recover from this. Their second insolvency however in 2008 ended with Reverchon Industries closing down.

A subsidiary company SAMC-Avia still manufactures rides and markets them under the Reverchon name.

Reverchon Industries

0 comment

Event Planning, Fun Story, funfair events, Funfair Rides

The Waltzer, History Of An Iconic Ride

10 April 2021

One of the mainstays for any British funfair is the Waltzer. Indeed so popular is this particular ride that you will struggle to find any but the smallest funfairs without one.

Similar in style to the Noah’s Ark ride, i.e., a platform that rotates at high speed and undulates over a number of hills to give an up and down motion. The difference is the ark originally had various animals to sit on, then evolved to have motorbikes, probably around the time that motorbikes became popular with young people. This led in some places to them becoming more popularly known as speedways. As most early rides were these tended to be ornately decorated.

The waltzer by contrast has tub shaped cars, that are attached by either a slew ring or a pivot point to the platform. As the ride rotated, the riders all sat at one end of the car would unbalance it and it would begin to spin. The attendants on the ride would walk the platform as it rotated spinning the cars by hand to make them faster. With attractive young ladies tending to be spun the most.

Early History

The very first evidence we have for the ride, is a 1920’s model built by one Dennis Jeffries of Congleton. Posterity records the very first passengers as being his nieces Phyllis and Dolly Booth, nothing like using family as Guinee pigs. A tradition which continues today, a few years back a relative building his own ghost train had put the first car together, but wasn’t sure if the gearing was correct. He put his old dad in as a crash test dummy and set it in motion. The car accelerated along the track like an exocet missile, jumped the rails at the first corner and set off into infinity and beyond. Luckily said dad fell off at this point. No amount of cajoling could convince him to try the mark two car.

Maxwell And Sons

The sadly now defunct Scottish firm of Maxwell and Sons, based in Musselburgh, became perhaps the best known manufacturer of the ride in the UK producing some 59 examples of the ride. Waltzers tended to have ten cars, though as the ark/speedway fell out of fashion a number of these were converted to waltzers so there are both nine and eleven car examples.

H.P. Jacksons

The biggest rival to Maxwells was the Congleton based firm of Jackson’s who produced 29 rides. They kept going a little longer than Maxwells producing their last ride in 1992. (Maxwells were out of business by 1983)

A number of other firms produced waltzers, but only in very small numbers.

Fairtrade Services

Waltzers were always an extremely labour intensive ride to set up and derig. A handful of examples were converted to pack on an artic load to reduce the set up time. A showmen by the name of Robert Porter, who was experienced in refurbishing and repairing waltzers. Took this a step further with a design for a new ride, made from the start to be a more compact travel load and quicker set up.

Under the brand of Fairtrade Services he has now produced 21 examples. They are on track to surpass Jackson’s as the second most prolific manufacturer.

One particularly striking example of a ‘Porter Waltzer’ as they are more commonly referred to, is the example above. Built for the Norwegian firm of Lund’s Tivoli. With Aasmund Lund at the helm, the firm commissioned this ride. With it’s stunning fireball theme, around the back of the ride are numerous led screens that provide a fire effect.

It is unusual that although the ride is one of the most popular in the UK, it is seldom seen on the continent. Raymond Codona Jnr travelled his Hell Raiser waltzer in Holland for a number of seasons. Very successfully, but you find few native examples.

Tilt-A-Whirl

Across the pond Herbert Sellner invented a similar ride called the Tilt-A-Whirl in 1926. Similar in motion to the waltzer this type only has seven cars, but otherwise works in much the same way.

The most noticeable difference, is that the waltzer has a roof and is an enclosed ride. Add in the sound and lighting systems and they are much like a portable nighclub. The tilt a whirl by contrast is an open topped ride. To be honest looks very much like an home made waltzer.

The Waltzers

The waltzer is an enduring icon of the British fairground scene. One change to its detriment is are the current health and safety laws. Waltzers were renowned for having the gangway around the edge of the ride packed with people. It truly was a social event, with many a couple meeting on the waltzers (Kevin Keegan the England football star was one, meeting his wife on Dowses waltzer at Scunthorpe). Sadly young people nowadays aren’t considered responsible enough to stand on he gangway a few feet from the spinning platform so now the ride is closed off whilst it is in motion.

Sources;

Fairground Heritage

National Fairground and Circus Archive

Wikipedia Waltzers Originally Had 10 Cars

4 Comments

Event Planning, Fun Story, funfair events, Funfair Rides

Tales Of Misadventures, Helter Skelter Woe’s

28 March 2021

We are proud of our safety record in the funfair industry. Having never had a serious accident or incident with members of the public.

We have had a couple or three minor ‘incidents’ usually involving me, or Arthur (a one time collaborator) or in one case a poor sod we had shanghaied to work for us for the day. For some weird reason, they all involve helter skelters in some form. Perhaps subconsciously that’s why we got rid of our last example a few years back.

Fred Thompson’s Lighthouse Helter Skelter

My maternal Grandad, Fred, was one of the industries characters. He owned a massive amount of rides over the years, but also seemed to buy things like dodgems with no cars, only to sell the track and then buy a set of cars with no track. The helter skelter however he did own and operate right up to his death.

Not one of the smaller square latticework rides, this was the huge steel structured ride which was shaped like a lighthouse or pepper pot. Whilst Grandad was basically on his death bed, the famous Nottingham Goose fair rolled around. Due to some internal family politics, the offspring that usually took the ride to the fair refused to do so. So Uncle Garry, my dad, and by extension me were drafted in to set the ride up. None of us really knew what we were doing, but there were a couple of long time staff members helping, and another operator with the same type ride at the event, came and offered advice when we needed it.

The Great De-Rig

We managed to set up OK, and we ran the attraction for the three days of the fair. On the Sunday morning, we got up for the derig, only to be welcomed by a torrential down pour. Great, to compound matters the two staff members had done a runner, couldn’t blame them really. So it was left up to the deadly duo (Uncle Garry and Dad) and me.

Not fancying pneumonia, I had wrapped myself in a rubberised wet suit, and wellingtons. I had started in the top chute (the U shaped part of the ride that you actually slid down), undoing the bolts that held them together. You unfastened the twenty odd chutes then usually started at the top chute and took them down one at a time. Due to the water, I slipped into the chute and started to slide down. Because of the wet suit I couldn’t generate enough friction to stop my descent. Not a problem I could slide to the bottom and walk back up the steps so I just sat back and accelerated.

Which would have been OK, had not the other two started removing the chutes at the bottom and working their way up. The result was me imitating an Exocet missile exiting a launch tube as I shot off the number 7 chute, about 15 feet in the air. Luckily they had handily stacked all the other chutes in a nice row on the floor to break my fall.

After recovering from my high speed exit, I pulled myself together and climbed back up to try again. Now at this point, some poor innocent funfair enthusiast happened to walk past. Little did he know the fun he was going to be subject to. Looking back he was a bit like a Turkey strolling past Bernard Matthews just as he finished sharpening his knife.

“Oy Mate”, shouts Uncle Garry, “Fancy a job on the fair?” The poor sod did. Fifteen minutes into his new career he managed to fall down the steps at the front and break his arm. We packed him off the the local hospital, not expecting to see him again. Given that a&e was usually synonymous with about an eight hour wait.

He Comes Back

In the event he surprised us, as about forty minutes later he came back. Walked up the front steps into the centre of the ride, then holding his newly potted arm aloft like a badge of honour, perhaps Nottingham’s version of a purple heart, he shouted up, “Its me, I’m back!”

Now, this had an immediate and unfortunate effect. Uncle Gary and I were at that point taking side sections off the top of the ride. These were held on by massive bolts, think of something the size of a lemon. Gary had in his hand one of these very bolts, just as our unfortunate hero shouted up to us.

Garry turned quickly to see who it was, and unfortunately lost grip of the bolt he happened to be holding. With an aim worthy of William Tell, the bolt hit the guy slap bang in the centre of the forehead. Dropping him to his knees and producing a rather large egg shaped lump and a rather unfocussed look.

“Erm, listen guys”, he managed to croak feebly, “I think I am gonna resign, I don’t wanna work on the fair no more.” This time we didn’t see him again, can’t say I blame him really.

Some People Just Never Learn

Now, I swore this was enough to put me off helter skelters for life. So of course, a few years later, Rennie (another occasional collaborator) suggested purchasing a square type helter skelter that he knew of between us. It was a bit rough but we had the skills between us to rebuild it, and like the fabled lemmings, I hadn’t had any brushes with death for quite a while so I went for it.

We got it back to the yard, semi erected it and started on the multitude of jobs. One day I had climbed to the top and noticed that the bracket holding the highest section of steps on was cracked. Badly cracked, in fact it was held on by a sliver of paint. I thought to myself then that the next job should be to weld it back together. Just then, fate, in the form of my mother in law, turned up with a bacon sandwich and coffees for me and Renny. Being partial to a bacon sarny I shimmied down for breakfast.

After wolfing them down, and feeling recharged. I collected a large 8ft by 4ft wooden panel that needed affixing to the top of the ride and ran up the steps with it. As I stood on the topmost tread of the topmost section of steps, the malicious gods looking down decided that was the instant that the sliver of paint holding the steps on would finally expire.

Wooden Parachute

They say that in moments of extreme terror, your life flashes before your eyes. Truth be told this didn’t happen, but I do distinctly remember that time seemed to slow on the way down, as I plummeted earthwards holding a large sheet of wood above my head. My first thought was “Bugger, I should really have welded that bloody step up”, followed closely by “I bet this is gonna hurt”, followed by “This is taking some time,” followed by the sound of a person hitting the wooden floor, followed even more closely by the sound of a large wooden panel hitting a person, and almost simultaneously the sound of a section of steps hitting a wooden panel.

Suffice so say, I survived, a bit battered but without breaking anything important.

Arthur

The final entrant into our tale of woe, didn’t really involve the helter skelter, beyond the fact that I happened to be midway up the ride when the problem was brought to my attention.

We were at a corporate event in Salford. Renny ,Arthur and I with a range of attractions. Arthur, being afraid of heights tended to steer clear of the Helter Skelter, instead bagging the job of looking after the moonwalk. This was an inflatable attraction, that was enclosed in a dome. Arthur got himself comfortable on the front step, in front of the slit in the front that acted as a doorway. Because the dome had a high speed fan continuously blowing air in to keep the thing inflated, you tended to get a high speed stream of cold air blowing out the front. On perhaps the hottest day of that year this was a bonus for Arthur keeping him nicely chilled.

Glowing

Anyway, there I was half way up our slide, when Arthur wandered over and shouted up “My head hurts”, oh FFS, “Look in the glovebox of my car there are some headache tabets” I replied without really taking any notice, tricky things these big slides so I was paying attention to what I was doing.

“I didn’t say I had a F**KING headache”, said Arthur, “I said my F**KING head hurts!”

When I looked I could see his issue, “FFS Arthur don’t walk out the gate of the park”

“Why he asked?”

“Cos you will stop the traffic, you look like a set of traffic lights on red”

Dear me, his full forehead and face were glowing, and I mean glowing, like he had been stood a bit close to Chernobyl when it went up. I saw him about a week later when the skin had started peeling off and he looked like the singing detective. He ended up with scars on his forehead the sunburn had been that bad. Serve him right for lazing on the step all day.

It’s Not Just Us

Another operator I know of ended up with two broken legs, when one day he was at the top of his helter skelter painting it. He happened to glance upwards, where the clouds were moving due to a stiff breeze. Becoming disorientated, and believing it was the ride moving he threw himself over the side, in the belief that it was better than being inside the ride when it hit the ground.

And yet another guy, was at Yarm fair in the North East, and managed to fall from his ride landing on a street sign and breaking a number of ribs. Whilst in hospital he was laid in bed with his hand dangling over the side, when his visiting mother leaned over the bedside cabinet to give him a kiss. Unfortunately the cabinet was on wheels and being shoved against his hand managed to break three of his fingers.

Eventually the health and safety executive decreed that fall arrest equipment needed to be worn when working on these things at height. To give them their due most operators did both buy and use said kit. The one guy I know that put them to test still managed to break his ankles, when I enquired how, he explained the the standard fall arrestor worked by expanding and slowing you descent without too much of a jerk. Sadly it needed about twelve feet to work and he was only ten feet high when he fell, so he hit the deck before it arrested his fall. He seemed quite cheerful though and vowed that in future he would only fall off higher up.

0 comment

Event Planning, funfair events, Funfair Rides

6 Tips For Hiring A Ferris Wheel

24 March 2021

A Ferris wheel is one of those iconic funfair rides that everyone remembers. They not only make regular appearances at funfairs up and down the country, but you can also hire them for private events. Here are 6 tips for hiring a Ferris wheel to make sure you get the best for your money.

1 What Size Wheel

There are two basic wheels you will see in the UK. What we tend to term a traditional wheel, which in actual fact is more than likely to be American in origin, more specifically from the Eli Bridge company of Jacksonville Illinois.

This is the type of wheel that was in the final scene of Grease, the movie. They are also what you most probably rode as a child, and they are what is usually hired for private events.

The other big wheel type, is big, really big. They have been christened Continental Wheels in the UK, but are generally referred to as giant wheels on the continent. They come in a multitude of sizes, the travelling models tending to be 50-60 metres in height, with some fixed models of 100m up over. These can be hired privately, however keep in mind that a typical 50m wheel would come on 5-6 trailers, with each one being towed by a vehicle averaging perhaps 6-7 MPG. They would take a number of days to set up and similar to take back down, using a crew of perhaps 6-8 staff members. So unless you are Elon Musk or the likes, you aren’t going to hire one for a 5 year olds birthday party in your back garden.

2 Where Will The Wheel Be Built

We will proceed under the assumption that you aren’t Elon Musk and wish to hire the smaller Eli Bridge type wheel. For the other type, much of what we advise is equally valid, but you would need a specialist survey to ensure the ground can take the weight and stress of a true giant wheel.

Ideally a perfectly flat tarmac or concrete surface such as a car park is what we like for a wheel. Realistically, this isn’t always possible. Grass is fine, as long as it isn’t too soft. This is more for the vehicles carrying the ride rather than an issue with the ride. A wheel is a stable structure, well balanced and with large outriggers to prevent it tilting. Getting it into position on extremely soft ground is where the problems arrive. We carry wooden boards to drive on across soft ground, and if you need us 50 or 60ft across a field its not an issue. If you want us half a mile across a swamp it isn’t going to happen.

Access

The other issue people seem to be oblivious to, is actually having an entrance large enough to drive the ride through. We have turned up on site visits many a time, to find out that although there is a 300 acre field available, the only access is through a gate 4ft wide, or around a sharp bend that you would be lucky to manage with a classic mini without a couple of shunts. Imagine the large vehicles you see on the motorway, then widen it a foot and add perhaps 10ft on the end. That will give you an idea of how long a typical ride is.

If in doubt ask about a site visit. There may be a small charge, but a decent operator will waive this if you end up booking.

3 Ensure It Carries The Correct Documentation

Thankfully, with the funfair industry being so highly regulated, the cowboys have pretty much been forced out. But, that doesn’t mean you shouldn’t still undertake due diligence when hiring attractions. Circumstances can conspire to create a situation where someone may cut corners, be it down to greed, or desperation. The best way to ensure your safety, is to make sure your chosen operator can actually supply a full set of safety documentation. The following list are all legally required documents, if they can’t provide any of them, run away, quickly:

Public Liability Insurance (Self Explanatory)
Risk Assessments (To how the ride has been assessed to ascertain what risks exist)
Fire Assessments (Like the Risk assessment, but looking for fire based issues)
Method Statements (A document showing what has been put in place to mitigate the risks identified)
ADIPS Certificate (Much like an MOT, showing the ride has been tested by an independent engineer for safety)
Daily Inspection Record (To show that each day the ride is operated it has been checked by the operator)

Adips

One the mentioned documents, the ADIPS cert bears a little more explaining. Each ride has to undergo an annual inspection to ensure it is safe to operate. This includes electrical and mechanical safety, and may well include non destructive testing such as x-rays or dye penetration inspections to check for metal fatigue and cracking. A certificate is issued once the ride is passed as safe. This has all the relevant information about the ride. It also has two important things to look out for. One is the ADIPS inspection number, If you visit their website, you can actually input this number to ensure the document is correct and up to date.

The other is the photograph in the top right hand of the document. This should match the ride you have hired. If it doesn’t it could mean that the ride you have hired isn’t covered by that document. A big no no.

Above is an example of what the DOC looks like, you can see the image in the top right hand corner, directly below this image will be the DOC number.

4 Ask For Photos Of What You Are Hiring

There are some absolutely immaculate wheels on the hire market. There are sadly a few poor examples, and the majority are comfortably in the middle, quite presentable rather than exceptional.

You are certainly entitled to ask for a photo of what the operator is proposing to hire to you. Beware of tiny thumbnails that show no details, and ask for how old the photos are. Something immaculate 20 years ago could look very different now.

Any professional operator wants his client to be happy. A successful job isn’t just one where they earn money, its one where the client is happy and will use them again.

Take a look at the wheel above, this can quite accurately be described to you as one hot wheel without telling any lies. Thing is, it’s hot, not because it’s a fabulous wheel, but because it was in the vicinity of Chernobyl when the nuclear reactor exploded. So don’t trust to descriptions alone, unless it is someone you have worked with before and trust.

5 Ensure The Quote You Have Includes Everything

Although we haven’t really heard of it happening with wheels. A favourite tactic of one competitor when offering dodgems for hire, was to quote a price roughly halve of everyone else’s. When your ride turned up, it didn’t have lights or music. There was no top cover so it wouldn’t work it it rained, and you only got 4 cars. They would inform you that the ride supplied was exactly what you had paid for. If you wanted all the additional extras and the more usual 14 cars, then they were extra. Your choice at that point was to pay what could end up being more than you had been quoted from other operators for the same service, or put up with half a ride.

Most companies quote within a narrow price band. If something is exceptionally cheap it is for a reason, and not usually a good one.

Another Cowboy

Another cowboy we came across had an ingenious scheme. He would quote a price about 40% less than anyone else. To secure it you had to pay an immediate £500 NON REFUNDABLE deposit. The day before your event, you would receive a phone call informing you that sadly, the ride you had booked had been destroyed by fire/stolen/kidnapped by space aliens. But not to worry, they had a couple of children’s roundabouts they could bring you. When you complained the event wasn’t for kids and you were cancelling, they were happy to let you do that. Of course the deposit was non refundable.

Is it legal? Hmm, probably not, getting you money back by going to court probably outweighs the £500. If you give the guy too much hassle he had the option of refunding your money to stop the case. He kept far more than he lost though.

6 If You Have Any Unusual Requirements, Agree Them Beforehand

Do you want only Max Bygraves records playing on the ride. Or the lights switched off for some reason. Perhaps you want your pet donkey to be allowed to ride. Talk the to supplier and make sure this is possible, before the day of the event. It isn’t fair complaining that they had none of Mr Bygraves songs to play, if they were totally unaware that you were a fan.

Most reasonable requests we are happy to comply with. We enjoy a bit of fun, and want you to be happy. (Not sure about letting the donkey ride though). But be aware of the fact that we will not, compromise safety to please you. No amount of offering to sign waivers will make any difference, (and for the record, judges tend not to view the practice very kindly, their take is that the fact we had a waiver signed meant we knew it was unsafe to do), we want the job, and we want you to be happy with it, but not at the risk of hurting or killing someone.

If you want any more info on the ins and outs of hiring a Ferris wheel, drop us an email, or pick the phone up, we are quite happy to talk to you about it without obligation.

0 comment

← Previous 1 2 3 4 … 6 Next →